Jazz

Miles Davis – Someday My Prince Will Come (1961/2022) [Analogue Productions – APJ 8456] [Vinyl FLAC 24-192]

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Miles Davis – Someday My Prince Will Come (1961/2022) [Analogue Productions – APJ 8456]
Vinyl FLAC (tracks) 24 bit/192 kHz | Duration: 42:10 | 1,72 GB
Genre: Jazz | Label: Analogue Productions

Mastered from the original analog tape by Ryan K. Smith at Sterling Sound. Praise for our 45 RPM version. “…The Analogue Productions sound is visceral and crisp in the best sense, and the quiet pressings ensure that no musical detail is even mildly obscured…with these 45 RPM LPs, if your system is up to the task, you’ll hear boundless high-frequency reach and lavish dynamic nuance and harmonic delicacy.” – Marc Mickelson, The Audio Beat.

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FunkSoul

The Wild Magnolias With The New Orleans Project – The Wild Magnolias (1974/2025) [Jackpot Records – JPR 121] [Vinyl FLAC 24-192]

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The Wild Magnolias With The New Orleans Project – The Wild Magnolias (1974/2025) [Jackpot Records – JPR 121]
Vinyl FLAC (tracks) 24 bit/192 kHz | Duration: 39:15 | 1,66 GB
Genre: Funk, Soul | Label: Jackpot Records

All Analog Process (AAA) From The Original Master Tapes. Cut By Kevin Gray At Cohearent Audio. Lyric Sleeve Included. Ltd Feather Blue Vinyl Edition. In 1970, one of the leaders of the musical Mardi Gras Indian Tribes movement, The Wild Magnolias, became the first band to have a commercial recording released as a Mardi Gras Indian group. The band’s legendary performances at the New Orleans Jazz & Heritage Festival also helped them launch into the recording of their 1974 debut LP—the self-titled The Wild Magnolias which we are so pleased to present to you here. Easily some of the most fantastic New Orleans funk and soul ever laid down on vinyl. Eight songs that don’t let up with its street-beat funk, call-and-response vocals (with lyrics like “just a few puffs to make you feel all right” leading the charge) and a recording that captures the unhinged mania of so many talented musicians crammed into a studio making a stone-cold classic.

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Folk RockPsychedelic Rock

The Byrds – Younger Than Yesterday (1967/2012) [Music On Vinyl – MOVLP437] [Vinyl FLAC 24-88,2]

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The Byrds – Younger Than Yesterday (1967/2012) [Music On Vinyl – MOVLP437]
Vinyl FLAC (tracks) 24 bit/88,2 kHz | Duration: 28:36 | 532 MB
Genre: Folk Rock, Psychedelic Rock | Label: Music On Vinyl

Originally released in 1967. Reissue with the original tracklisting. 180 gram audiophile vinyl. Younger Than Yesterday is the fourth studio album by the American rock band the Byrds, released on February 6, 1967, by Columbia Records. It saw the band continuing to integrate elements of psychedelia and jazz into their music, a process they had begun on their previous album, Fifth Dimension. In addition, the album captured the band and record producer Gary Usher experimenting with new musical textures, including brass instruments, reverse tape effects and an electronic oscillator.

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Psychedelic RockRock

SRC – SRC (1968/2024) [Jackpot Records – JPR108] [Vinyl FLAC 24-192]

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SRC – SRC (1968/2024) [Jackpot Records – JPR108]
Vinyl FLAC (tracks) 24 bit/192 kHz | Duration: 36:24 | 1,48 GB
Genre: Rock, Psychedelic Rock | Label: Jackpot Records

Record Store Day 2024. Cut From The Original Analog Master Tapes. By Kevin Gray. All Analog Process (AAA). High Quality Black Vinyl Release. Limited edition of 1500 Exclusive for RSD 2024. SRC was born out of a smashing up of two of Detroit’s brightest bands, The Fugitives and The Chosen Few (which also featured future Stooge Ron Asheton). The new band gained a fanatic local following, eventually capturing the attention of Capitol Records. On this record, the band shifts effortlessly from mountaintop introspection to wild distorted crescendos creating one of the most melodically heavy LPs ever made, an over-the-top psychedelic fuzz guitar masterpiece. When it was released in the US in 1968, the LP created fan and critical excitement. Still, it was in the UK where the cultdom made its most significant impact, with John Peel playing the hell out of it on his radio show and even Genesis’ Peter Gabriel claiming that this first SRC album was one of his favorites, saying he “wore the record out” (and you can absolutely hear SRC’s melodies buried inside Gabriel’s musical DNA!). This Record Store Day 2024 release was cut from the analog master tapes by Kevin Gray, in an All Analog Process (AAA).

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Pop RockSoft Rock

Sarah McLachlan – Surfacing (1997/2017) [Analogue Productions – AAPP 119-45] [Vinyl FLAC 24-96]

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Sarah McLachlan – Surfacing (1997/2017) [Analogue Productions – AAPP 119-45]
Vinyl FLAC (tracks) 24 bit/96 kHz | Duration: 41:20 | 842 MB
Genre: Pop Rock, Soft Rock | Label: Analogue Productions

200-gram gatefold double LP cut at 45 RPM. Mastered by Bernie Grundman from the original analog tapes. Surfacing is the fourth studio album by Canadian singer-songwriter Sarah McLachlan, released on 15 July 1997. It was produced by McLachlan’s frequent collaborator, Pierre Marchand, and its release coincided with the start of McLachlan’s Lilith Fair tour. The album reached the top position on the Canadian RPM 100 Albums chart, number two on the US Billboard 200 and became her first album to reach the top 50 outside of North America, achieving that in the UK, Australia and the Netherlands. It was certified as Diamond in sales in Canada and as 8× Platinum in sales in the US. Critical reviews were mixed; some of the more positive reviews praised the songwriting, while the album’s detractors criticized it as banal and slow.

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Contemporary JazzNeo SoulSmooth JazzSoul

Sade – Love Deluxe (1992/2024) [Epic / Sony Music – 196587848316] [Vinyl FLAC 24-192]

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Sade – Love Deluxe (1992/2024) [Epic / Sony Music – 196587848316]
Vinyl FLAC (tracks) 24 bit/192 kHz | Duration: 45:55 | 2,08 GB
Genre: Smooth Jazz, Contemporary Jazz, Soul, Neo Soul | Label: Epic / Sony Music

Half-speed remaster at Abbey Road Studios. Audio sourced from high resolution digital transfers of the stereo master mixes (from the original studio recordings). Original album art reproduced in detail. Double-sided printed inner sleeve with lyrics.

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Synth-pop

Pet Shop Boys – Discography (The Complete Singles Collection 1985-1991) (1991/2025) [Parlophone – PMTV 3 / 5021732580238] [Vinyl FLAC 24-192]

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Pet Shop Boys – Discography (The Complete Singles Collection 1985-1991) (1991/2025) [Parlophone – PMTV 3 / 5021732580238]
Vinyl FLAC (tracks) 24 bit/192 kHz | Duration: 01:17:43 | 3,15 GB
Genre: Synth-pop | Label: Parlophone Records

Issued in a standard (non-gatefold) sleeve with printed inner sleeves largely replicating the 1991 original design. Inner sleeves include thumbnail images based on the UK single artwork for each track. These images are based on the single artwork rather than direct reproductions. The image used for “DJ Culture” is derived from the original single sleeve, though not presented in its full release layout. “Was It Worth It?”- also a new single at the time – was not represented. This reissue retains the original 1991 inner sleeve design and does not introduce any new artwork. Unlike the original edition, this release includes UK chart positions for all tracks, including “DJ Culture” and “Was It Worth It?”.

Features a front cover hype sticker: “LIMITED EDITION Transparent Blue Vinyl”.

Labelled as Made in Germany.

Tracks are listed sequentially on the gatefold sleeve and the record labels.

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Blues

Mississippi Fred McDowell – I Do Not Play No Rock ‘N’ Roll (1969/2025) [Jackpot Records – JPR-119] [Vinyl FLAC 24-192]

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Mississippi Fred McDowell – I Do Not Play No Rock ‘N’ Roll (1969/2025) [Jackpot Records – JPR-119]
Vinyl FLAC (tracks) 24 bit/192 kHz | Duration: 42:16 | 1,55 GB
Genre: Blues | Label: Jackpot Records

Originally released in 1969. Regarded as one of the greatest blues albums of all time. All Analog Process (AAA) From The Original Master Tapes. Cut by Kevin Gray. Midnight Color Vinyl. Recorded in 1969, this album, as McDowell’s titular quote suggests, is not just a collection of songs but a significant piece of musical history. It’s a masterclass, a confessional, a musical statement, and a history lesson all in one. Despite its seemingly simple nature, it’s a profound work. Regarded as one of the greatest blues albums of all time, I Do Not Play No Rock ‘N’ Roll is a must-listen, a testament to one of the greatest musical forces that has directly influenced The Rolling Stones, Aerosmith, The Black Keys & Bonnie Raitt (to whom McDowell taught slide guitar). In 1959, McDowell’s talent was first captured by folklore musicologist Alan Lomax, and from there, he quickly rose to stardom with his live recordings and festival appearances across the US and UK. This album is a testament to McDowell’s unique voice and guitar style, dominating the air and filling it with raw power and authenticity.

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Blues RockPsychedelic

Jerry Garcia Band – Don’t Let Go (Orpheum Theatre, San Francisco, May 21, 1976) (2001/2025) [Round Records – JGFRR1060] [Vinyl FLAC 24-192]

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Jerry Garcia Band – Don’t Let Go (Orpheum Theatre, San Francisco, May 21, 1976) (2001/2025) [Round Records – JGFRR1060]
Vinyl FLAC (tracks) 24 bit/192 kHz | Duration: 02:24:21 | 4,98 GB
Genre: Blues Rock, Psychedelic | Label: Round Records

Record Store Day 2025. The Complete Show. First Time Pressed to Vinyl 4xLP-Limited Edition of 4,000. A Performance So Good It’ll Leave You Grinnin’ from Ear to Ear”.

Don’t Let Go is the third live album, and fourth album overall, by the Jerry Garcia Band. It was recorded on May 21, 1976 at the Orpheum Theatre in San Francisco, with a bonus track recorded on September 11, 1976 at the Keystone in Berkeley. It was released on January 23, 2001.

From January 1976 to August 1977, the lineup of the Jerry Garcia Band was the one featured on this recording — Jerry Garcia on guitar and vocals, Keith Godchaux on keyboards, Donna Jean Godchaux on vocals, John Kahn on bass, and Ron Tutt on drums. Another album recorded by this lineup is Pure Jerry: Theatre 1839, San Francisco, July 29 & 30, 1977.

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